Oil On Canvas, Real Flavor of Old Masters

All BREENBERGH, Bartholomeus 's Paintings
The Painting Names Are Sorted From A to Z


ID Image  Painting (From A to Z)       Details 
5362  
Joseph Selling Wheat to the People dsf, BREENBERGH, Bartholomeus
 
 Joseph Selling Wheat to the People dsf   1655 Oil on canvas, 110,5 x 90 cm Barber Institute of Fine Arts, Birmingham
88214  
Joseph verkauft Korn, BREENBERGH, Bartholomeus
 
 Joseph verkauft Korn   1655(1655) Medium Oil on canvas Dimensions Deutsch: 110,5 x 90 cm cjr
5364  
Ruins of the City Walls, near Porta S Paolo, Rome dsf, BREENBERGH, Bartholomeus
 
 Ruins of the City Walls, near Porta S Paolo, Rome dsf   1625-27 Brush and wash drawing Christ Church Picture Gallery, Oxford
52612  
The Finding of Moses, BREENBERGH, Bartholomeus
 
 The Finding of Moses   1639 Oil on panel, 48 x 81 cm
5363  
The Preaching of St John the Baptist, BREENBERGH, Bartholomeus
 
 The Preaching of St John the Baptist   1634 Oil on canvas Metropolitan Museum of Art, New York
29113  
The Prophet Elijah and the Widow of Zarephath, BREENBERGH, Bartholomeus
 
 The Prophet Elijah and the Widow of Zarephath   mk65 Oil on panel 27x36'

BREENBERGH, Bartholomeus
Dutch Baroque Era Painter, ca.1598-1657 Dutch painter, draughtsman and etcher. He was one of at least eight children of a wealthy Protestant family in Deventer, where his father was the town pharmacist. After his father's death in 1607, the family left Deventer, probably moving to Hoorn. No artist then living in Hoorn could plausibly have been Breenbergh's teacher, and given the fact that his earliest works reveal the stylistic influence of the Pre-Rembrandtists, it is more probable that he was apprenticed in Amsterdam. In 1619 he was called upon to give testimony in Amsterdam: on this occasion his profession was listed as 'painter'. His oeuvre can be divided stylistically and iconographically into two distinct groups. He belonged to the first generation of DUTCH ITALIANATES, northern artists who travelled to Italy in the 1620s and were inspired by the light and poetry of the southern landscape. The work of this period consists of numerous Italianate landscape drawings and paintings.



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